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All Artemisia gentileschi Oil Paintings


 
 
Artemisia gentileschi Judith Beheading Holofernes oil painting reproduction


Judith Beheading Holofernes
mk68 oil on canvas Naples Capodimonte Museum 1611-1612 Italy
new4/Artemisia gentileschi-844554.jpgPainting ID::  30545
 

 

 
   
      

All Caravaggio Oil Paintings


 
 
Caravaggio Judith Beheading Holofernes oil painting reproduction


Judith Beheading Holofernes
c. 1598 Oil on canvas, 145 x 195 cm
new16/Caravaggio-556944.jpgPainting ID::  43845
 

 

 
   
      

All Artemisia Gentileschi Oil Paintings


 
 
Artemisia  Gentileschi judith beheading holofernes oil painting reproduction


judith beheading holofernes
mk247 1620,oil on canvas,78.375x64 in,199x162.5 cm,uffizi,florence,ltaly
new20/Artemisia Gentileschi-582688.jpgPainting ID::  56052
 

 

 
   
      

Artemisia Gentileschi
  
Italian 1593-1652 Artemisia Gentileschi Gallery Gentileschi was born on July 8, 1593 in Rome. She was the daughter of the painter Orazio Gentileschi and was trained by him. Our perception of Gentileschi has been colored by the legend surrounding her. Her alleged rape by her father colleague, the quadratura painter Agostino Tassi, when she was 17, was the subject of a protracted legal action brought by Orazio in 1611. Although she was subsequently married off to Pietro Antonio di Vicenzo Stiattesi in 1612 and gave birth to at least one daughter, she soon separated from her husband and led a strikingly independent life for a woman of her time - even if there is no firm evidence for the reputation she enjoyed in the 18th century as a sexual libertine. After her marriage, Gentileschi lived in Florence until about 1620. She then worked in Genoa and settled in Naples in 1630. Gentileschi traveled to England in 1638-40, where she collaborated with her father on a series of canvasses for the Queen House, Greenwich (now Marlborough House, London). Gentileschi died in Naples in 1652. It is tempting to adduce the established biographical data in partial explanation of the context of her art: the sympathy and vigor with which she evokes her heroines and their predicaments, and her obsession with that tale of female triumph, Judith and Holofernes. But such possibilities should not distract attention from the high professional standards that Gentileschi brought to her art. In a letter, dated July 3, 1612, to the Grand Duchess of Tuscany, Orazio claimed that "Artemisia, having turned herself to the profession of painting, has in three years so reached the point that I can venture to say that today she has no peer. Despite the obvious exaggeration, one can agree that Gentileschi art was of a consistently high quality virtually from the beginning.
judith beheading holofernes
mk247 1620,oil on canvas,78.375x64 in,199x162.5 cm,uffizi,florence,ltaly

Related Paintings to Artemisia Gentileschi :.
| Raphael - An Allegory (Vision of a Knight) | Vanmour, Jean Baptiste -- De grootvizier begeeft zich over de Atmeidan links de Blauwe Moskee, 1727-1737 | Jacob Jordaens--The Banquet of Anthony and Cleopatra | George Washington by Gilbert Stuart | Jean-Simeon Chardin -- Portrait of the Son of M | | Still life floral, all kinds of reality flowers oil painting 213 | Off Mount Desert Island | Dish of Peaches | Unknow work 74 | The Tower of Babel |


        

 

 

 

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